Tim and Jeremy are both waiters at a restaurant in downtown New York City. During slow times at work, to stave off boredom when it is slow, the two young men draw pictures. These pictures are made using ink and what is called the "Triple Dupe Pad," a book of paper used to place orders in the kitchen. The drawings usually take about a week to make, all the while also being used by fellow employees to take orders; this sometimes leads to other collaborators or in a couple cases, to the loss of the work. The drawings are then scanned and colored in Photoshop where they come to life in stunning technicolor! The subject matter varies from piece to piece, as they are made over a long course of time and under various moods and states of mind. They all retain a playfulness that serves as a coping mechanism after spending a night catering to the endless needs of hungry patrons.
Showing posts with label Progress. Show all posts
Showing posts with label Progress. Show all posts

Wednesday, December 10, 2014

#64 In Color!!! June 19, 2013

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When Tim and I started this project 5 years ago, we had no idea how far it would go. We were essentially just messing around, drawing pictures at work like we had been for years before that fateful day where we liked a picture enough to take it home and work on it outside of the restaurant. That first picture that I took home is pretty simple, but has all of the insanity of later drawings in it. Take a look at it here.
Tim and I would draw on the Triple Dupe Pad nearly every day we were at the restaurant, always adding (and sometimes subtracting) to the whole thing. We would draw on them while we had our evening coffee before the rush, and then again at the end of the night while sitting on Table 8 drinking beers and talking about the evening that had just recently ended. As time went on, Tim and my schedule became less and less intertwined. We used to work three out of four days together, and so we were working on these drawings a lot during that time. As the years passed, our schedules changed so much that Tim and I only work together for a couple hours on Friday evenings when I come in to wait tables in the evening and he finishes up his shift as the dar bar tender. I am not sure if that fact of not working together has slowed down our output, but we have certainly slowed down the production of T&J drawings.
 I rarely draw these days during the pre-shift coffee break. This is usually because I am much better friends with the bar regulars now, and so instead of turning my back to them and drawing insane pictures of aliens harvesting heads, I catch up with them and visit. Then, at the end of the night, it's usually the same thing. Instead of the staff sitting on Table 8, like the old days, we all hang out at the bar and visit with our favorite regulars. It almost seems wrong to call these people regulars since a lot of them are friends who happened to be customers first. That is how I would describe these people to outsiders. Yes, we met in a server/served environment, but we have gone beyond that relationship and developed a full-on friendship. This happens sometimes in some restaurants and bars, but it happens at our place more, I think. The way the restaurant operates, and the longevity of the staff makes it the perfect place to become really good friends with the staff and regulars.
For instance, years ago, a woman named Karen started coming in to eat. She would come in and sit at Table 11 or 12 (depending on which one was open at the time). She would read on her Kindle and have a glass of wine and eat a little something. Well, after a couple of times waiting on her, I asked how she liked the Kindle (they were new at the time), and from that question on, we became friends. She would come in every Wednesday and Friday for years and years. We became Bookface friends, and we would talk for hours about everything from technology to the Opera and everything in between. Now, you are probably thinking, well, obviously a young waiter and a single woman becoming friends in a restaurant is nothing out of the ordinary. That sort of thing happens every day. The only difference is that Karen and I are completely different people from completely different times. She could be an aunt of mine or some distant relative that would be a peer of my parents. But, because of the restaurant, we are now friends. In the outside world that never would have happened, but in the restaurant it happens all the time. The fact that I have so many friends my parents age and older is directly related to working at the restaurant. And so, I guess it is a little sad that the T&J production has gone down but the reason for the slowdown is a positive thing. I mean, friendship is more important that productivity any day of the week.

Tuesday, November 19, 2013

#47 "Herpes or Hairpiece?" December 16, 2011

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My first cartooning teacher, J.P. Crangle used to tell me to always put the date on my drawings. This way, he said, you could go back and look at your old artwork and appreciate how awful it is. Okay, he may not have said it that way, he was a pretty positive guy. He probably said you should date your work so you can go back and see how much you've improved over time. So, I guess this piece above is almost two years old now (according to the date that now gets automatically put on the drawing once it gets scanned) and I can see how awful it really is only now. I remember at the time liking the coloring job of this piece, especially the left hand side with the guy holding the remote control. Now when I look at it, I only see everything that I would like to change, meaning pretty much everything. Mind you, I will not be doing that. Not out of laziness, although that certainly plays a part, but to let this piece stand as a testament of what I was doing at the time. As J.P. would say, it is the kind of art you were doing at the time, and it acts as a place marker in the progression of style and talent. I am sure that I will look back to what I am doing now in two years and say the exact same thing; namely that what I am doing now is terrible (even though I think that it is relatively good now). This is the life of anyone who is creative. As you grow and move along in life, your vision changes. The important stuff of today is yesterday's throwaway idea. This is the main reason I would never want to get a tattoo. I guess it would be the same sort of thing, a place marker on the road of life; but I have scars for that. When I was first considering getting a tattoo, I was probably a teenager, and I did think that my artwork at the time was pretty darn good. Good enough, anyway, to think that it was worth pursuing as a lifelong pursuit. So, I thought it would be a great idea to get one of my own drawings tattooed onto my body somewhere (I always pictured it on my backbone near the base of my neckbone). I am so glad that I never drew the "perfect" drawing that I would take down to the local tattoo artist. I look back to what my style was, what I was interested in, and my overall general attitude toward the world and I am so happy I never went through with it. I would have to constantly make excuses for this weird looking mushroom on my back with the face who looks like he may or may not be tripping after ingesting part of himself. That, or I just would have gotten a big "Steal Your Face" emblem. Either way, it would have been regrettable. Not that I have anything against tattoos (or the Grateful Dead, for that matter). I think a lot of them are extremely well done and fascinating to look at. So, with that regret in mind, I would like to put one of my more recent "Mind on Loup" drawings side by side with this one just to show you the progress, but I also like keeping the timeline continuous, and in the right order. This way, you as the viewer can see first hand, the transformation of style, color, and overall feel of each piece. In fact, you could do it now! We started doing these drawings back in 2009, so you could scroll back two years and see just how bad the original "Mind on Loup" drawings really are! Oh wait, let's stay positive.