Tim and Jeremy are both waiters at a restaurant in downtown New York City. During slow times at work, to stave off boredom when it is slow, the two young men draw pictures. These pictures are made using ink and what is called the "Triple Dupe Pad," a book of paper used to place orders in the kitchen. The drawings usually take about a week to make, all the while also being used by fellow employees to take orders; this sometimes leads to other collaborators or in a couple cases, to the loss of the work. The drawings are then scanned and colored in Photoshop where they come to life in stunning technicolor! The subject matter varies from piece to piece, as they are made over a long course of time and under various moods and states of mind. They all retain a playfulness that serves as a coping mechanism after spending a night catering to the endless needs of hungry patrons.
Showing posts with label bad ass. Show all posts
Showing posts with label bad ass. Show all posts

Thursday, June 12, 2014

#57 "Happy Hour at the Cafe Loup" In Color! May 8, 2013

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For those of you who have never been to the Cafe Loup, this is almost exactly what it looks like from behind the bar. There are some small differences in real life, but what you are seeing is essentially what Tim and I see from behind the bar on any given night. A couple of obvious differences are that there are never any flying logs, and we don't have a helmet connected to a giant tube that is connected to the ceiling that gives you booze straight to the dome-piece. Other than that, it's your typical night at the Loup (although most likely a night in the winter months as there is a coat check girl hidden away in the coat room). The customers are typical generic bar customers, that could be found in any bar in the country. Let's appraise them from left to right, shall we?
Two wolf fathers (probably in finance) discuss the days highs and lows while their pups fight on the floor. These guys definitely come in early in the evening because the kids have to go to bed early. They drink martinis or other such drinks with high alcohol content so as to get the most bang for their hard earned buck. Next, (not counting the coat check girl) is the loner who is oblivious and confused. He stands behind everyone at the bar, looking uncomfortable and contagious, so now everyone feels weird. He is completely unaware that someone has narrowly missed is cranium with a sizable log, but continues to stare ahead, afraid to approach the bar and get something to drink, paralyzed by the fear of actually talking to someone (he'll probably turn around and leave saying, "I liked this place better when no one knew about it [in 1977]"). in front of him, seated at the bar, we have the only woman at the bar. She is pretty excited though, the whole bar is hers for the taking! She can have any of these dudes, and she just might. Dien is always talking about the "fishermen" at the bar. These are typically men, but in some cases they are women, who sit at the bar and go "fishing" for a date. I have mentioned this before (T&J #2 has The Blind Fisherman). The woman in this picture looks like one of those fisherwomen. She has come to the bar tonight to score a date with one of these guys. The competition is fierce, but the blue mustachioed man made his move and now is trying to make eyes at her. Maybe he's a fisherman too. He certainly looks like one with that stare that is practically screaming, "look at me! My hair is blue! I am a totally not creepy catch!" And yet, she continues to ignore him, lost in her own mind thinking about the excitement of finding love in a hopeless place (or she's looking in the mirror behind the bar). Next is the guy who's connected to the tube. This guy represents the ones who come in and drink for 8 hours straight. You know they can do it because you've seen them do it before. They rarely get wasted enough to do something stupid, but every once and a while they get that weird drunk. Most times, though, they seem cordial enough, sitting at the bar for hours and hours, always connected to their drink, or in this case, tube, chatting with whomever is sitting directly to their right or left and never missing a beat when the characters around him change. The pallor of their skin is pasty as they haven't seen daylight in weeks. Oddly enough, only he and the fisherwoman are the only ones smiling. After him we have a guy who could go a couple different ways. He could be some nerd who just got off work and would like a beverage, or he could be an employee of the Loup who just got off his shift and would also like a drink. Even though he doesn't look like anyone who currently works there, the Loup has been opened since 1977 (1989 in the location pictured above), so maybe he is a employee of Loup's past. Must've been a rough night, according to that face, not to mention his pen exploded in his pocket. Rough stuff. Next to him is the prophet. This guy could easily be "The Man Who Knew Too Much." You've seen him at the bar, but more likely you've heard them. They talk incessantly about anything and everything and have a strong opinion about all of it. They are usually right and unwilling to listen to what you have to say. Hence, they think that they are holier than thou, even though you are frequenting the same bar. Next to him sits the eccentric. He got his hair cut like a pharaoh and got matching neck rings. It's part of an ongoing art project that is more performance than body modification, but it's a work in progress so wait until next year to pass your judgements. Also, it will be on display the MoMa in a couple months, so you should feel lucky that you are seeing it now. He doesn't have a lot of money though because he's waiting for the grant money to roll in so if you could buy him one drink he'll pay you back in September. Finally, we get to the end with the Bad Ass. Yeah, he's got a gaping head wound, but so what? He just needs a shot of Jack and a Long Island Ice Tea and it's all good. I forgot it was even there. He says stuff like, "How'd you know I wasn't looking at you if you weren't looking at me?" after a couple more drinks. It's best to let this dude drink in peace and quiet. The less talking the better. You hope that by not engaging him, he'll move to a bar where more people can admire is Bad Assness.
It really is a Happy Hour! And in true Loup form, you look back at the clock after what seems to have been 10 or 15 minutes and it's, "2:20AM???!!! How'd that happen! I've gotta work in the morning! Dien, how much do I owe you?"

Monday, June 17, 2013

#44 "Shakespeare In The Park" In color! November 7, 2011

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In the last blog post, I talked about how all the characters pictured here are really actors or audience members at a performance of a work of Shakespeare being put on in the park. Well, now it has color and who knows what it's about now. I think we can leave the title as is, although I'm not that convinced of my argument about the characters of Billy Shake being portrayed here. This looks more like one of those "Celebrate Brooklyn" concerts they put on each summer, where things sometimes get out of hand. At least the band showed up this time. Music is an important part of life at the Cafe Loup. I have said that in this blog before but I am just reminding you. That is why I am always bringing up Cafe Loup: The Musical. Some day, I hope someone from the place writes the Musical version of life at the Loup. Sara used to talk about writing a book called Table 8 that would be all about the adventures of the employees of the Loup. The stories would be told sitting around Table 8 like in the old days when we sat at that table every night after our shift. We rarely sit there any more; it's one of the lost practices of the old team. As much as I think that a Table 8 book idea is a good one, I think The Musical would be better. Sometimes when we're all bored at work we try to cast The Musical. It's a fun activity and if you have never  thought about who would play you in the movie of your life, now is the time to act as the casting director, and get someone to play you. Everyone looks kind of like a celebrity, so everyone could be cast in the movie. The old ladies at my old job used to say I looked like James Woods which is cool and everything since he's a bad ass, but he's my dad's age. So he could play the old version of me when I am still working at the Loup in 2030 and this blog has 16 followers instead of 8. I don't know who could play me, but I like to think that my boy Justin Timberlake might be able to harness the crazy in me. That, and he's a dream boat so who wouldn't want him to portray them in the movie version of the The Musical. We have even cast some of the regulars, because The Musical wouldn't be complete without some of the regulars. I mean, they are the reason the place stays open in the first place, so they might as well get at least a little cameo. As for Tim, that one is really tricky. Granted, casting JTLake as myself is kind of insane since I don't really look like him besides the fact that we are both 30 something white boys, but I'm casting this movie dammit. I have Tim narrowed down to a couple dudes, but I am going to have to have them come in and read some lines before I can really settle on one. I am between Matthew Fox (Jack from Lost), Justin Theroux (from Mullholland Drive and Aniston's baby father), and James Franco (from Rise of the Planet of the Apes:). Now, Mr. Fox kind of looks like Tim if you put some glasses on him and made him grow his hair longer than a buzz cut, but what about his chops as an actor? Is he going to be able to give the performance we want from him? Theroux has proven his acting chops in movies like American Psycho and Mullholland Drive, but he seems somehow not exactly right. Maybe he's not edgy enough. I think Franco could certainly pull it off, but haven't we reached the Franco Saturation point by now? Yes, we have; however, maybe this role would bag him an Oscar and we could finally be rid of him (for a couple of years until he starts directing). So, all of you people who don't know what Tim and I look like, there is a small frame of reference. We look like those dudes. Cool right? The Loup is full of hunks.
So, since I cast Tim and I, I feel obligated to cast the rest of the Cafe Loup staff, and maybe some regulars. So, without further ado, here is Jeremy's Cafe Loup: The Musical casting.

Cast (In order of Appearance)

Llyod- Jeff Bridges
Ardes- Annette Benning
Bernardo-
Ociel- Peter Dinklage
Jose Perez-
Segundo- Jackie Chan
Jay- Alfred Molina
Dien- Chun Yao Fat
Sara- Julianne Moore
Frank- Tony Hale
Mike-
Marcel-
Sue-
Jerry-
Tomyo- Bai Ling
Jose Gonzales-
Jeremy- Justin Timberlake
Draman- Djimon Hounsou
Tim- James Franco
Edie- Ginnifer Goodwin
Gary-
Phil- The Lorax
Laird- Phillip Seymour Hoffman
Javier- Shrek
Alex- Dave Navarro
Victor-
Gayle-
Noel-
Richard- Robert Duval
Rebecca-
Liz-
Tommy-
Allan- Michael Caine

(Ok, I couldn't cast the whole thing. Here's a partial list for now...)