Tim and Jeremy are both waiters at a restaurant in downtown New York City. During slow times at work, to stave off boredom when it is slow, the two young men draw pictures. These pictures are made using ink and what is called the "Triple Dupe Pad," a book of paper used to place orders in the kitchen. The drawings usually take about a week to make, all the while also being used by fellow employees to take orders; this sometimes leads to other collaborators or in a couple cases, to the loss of the work. The drawings are then scanned and colored in Photoshop where they come to life in stunning technicolor! The subject matter varies from piece to piece, as they are made over a long course of time and under various moods and states of mind. They all retain a playfulness that serves as a coping mechanism after spending a night catering to the endless needs of hungry patrons.
Showing posts with label Sacajawea. Show all posts
Showing posts with label Sacajawea. Show all posts

Wednesday, October 16, 2013

#46 "Sacajawea's Nightmare" November 23, 2011. In Color!

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Sacajawea was pretty amazing. She was pregnant with a child and then gave birth to said child while on the expedition with Lewis and Clark back in 1804. She was detrimental in helping the expedition with relations with the Shoshone tribe that lived near the Rocky Mountains at the time. You have to remember that no white people had been this far west ever, and it was probably a good idea to have an interpreter. Even Sacajawea couldn't help the expedition once they crossed the Rockies, as she had never been that far west either. However, the whole expedition made it to the Pacific and back while only losing one man the whole time. And that was before they even left the Territories! Sacajawea died young at the age of 24, but had packed a lot of life into those 24 years. This person whom I am referring to as Sacajawea in this picture is no doubt not even close to what Tim or I were thinking about when we drew this picture back in November of 2011. Tim drew the face and I drew the body from what I can tell, and we probably didn't think it looked anything like Sacajawea then (or now, to be honest). However, like I have said before on this blog, I name these things to try to harness the chaos and turn it into something one can grasp. I could have easily called this one "Deadhead Tacos" and people would say, "Oh, there is a severed head inside a taco. That makes sense." I could've called it "Outside the Cabin in the Woods" and people would say, "Oh, I saw the horror movie with a similar title and this does look like what would be happening outside that cabin during the daytime." I think what my point is, is that no matter what these things are called, they are still an exercise in randomness. For instance, the vacuum cleaner-looking thing at the left hand side of the panel started as an espresso stain on the dupe pad. Then it got turned into the vacuum cleaner-like thing that stands before us today. Yes, that is cliche, but you have to understand that these drawings were done in a working restaurant during working hours, so these "mistakes" often happen. The days, weeks, and months that it takes Tim and I (and also some guest collaborators) to complete these drawings make most of them listless and afloat on strange seas that have no beginning and no end, but simply bob and turn with the current. Once they get nearer to their completion, sometimes they are pulled together by a strand or two of cohesiveness, but even then, it is a separate idea that has come up in the heat of the moment and sometimes will have nothing to do with the drawing as a whole; it bullies it's meaning into the drawing that was once just trying to get along in this crazy world. Then, you slap a name on it, and that further harnesses it so that now, when the viewer sees the title and the imagery together, they say, "Oh, I can totally see that Sacajawea is having a nightmare. I too hate traffic, Smurfs, cowboys and mummies and would not want to dream about them in this fashion." The fact of the matter is that Tim and I drew this picture over two years ago, I colored it in and posted it on Bookface on November 23, 2011 and I named it "Sacajawea's Nightmare" today, about an hour ago, on October 16, 2013. I think that this reasserts the drawings randomness, but I guess one could argue that it does the opposite. That the process eventually makes the piece cohesive and compartmentalizes the chaos and makes it orderly. But, as my 8 loyal readers know from previous posts, this is the question I keep asking myself about these drawings. Namely, "Is it chaos or is it order?"
To that, I say, "Oh, I just want to go watch some Smurfs."

#46 "Sacajawea's Nightmare" November 23, 2011

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It has been a while since I posted last, and I just want to apologize to my 8 readers. Sorry! I guess the last time I posted, summer was here and I just needed to get outside! Yeah, right. I spent a lot of time at the Cafe Loup this summer, more than any summer since that year I only had one weekend off all summer. When was that? 2002? Oh well. It was a good summer, though. We had some fun and even when we were incredibly short staffed, we managed to eke out some dollars and cents and have a decent summer. That time of year is always a little slow at the Loup. People want to eat outside, our regulars go away to houses on the beach or in the mountains, and we are left on 13th Street with the scraps! That's right, tourists and the locals who don't go away. We had a good name for them over the summer. It was: The Leftovers.
I'm not saying that leftovers are bad. I have pizza in my refrigerator right now that is going to be an incredible snack later that will fill me up with food and leave me happy until dinner. On that same note, I have pickled herring in a jar that I never ate and has been expired since 2010 (which I should probably get rid of but there's sentimental value there?). Of course, we have plenty of regulars who stay the summer who are amazing and always a pleasure to see, but The Leftovers are the bad ones. The ones who we would see night after night and cringe at their very presence. Of course, going up to their tables, we put on a happy face and ask them how they are beating the heat, and boy was it hot out there today! That's the thing about waiters; they can be total con artists. I consider myself a pretty amiable guy; I like most people. This is the main reason I moved to New York City. I didn't move here for the Theater District or the lovely weather. No! I moved here for the people! Can you believe it? I had been living in physically beautiful places like Cape Cod and Colorado, and I gave all that up to move into a little apartment in Brooklyn because I like to be around people. All people, any people. Some days when no matter what I do, I can't get around all these people, I wonder what I was thinking back then, but most days I am happy with their company. Anyway, back to the con artist thing. Nine times out of ten, when a waiter comes to your table, they greet you with some pleasantries and a smile at the very least. They tell you some things and take your order, smiling and being nice. I don't have to tell you that 5 times out of 10, they are putting that face on and as soon as they turn their back, the frown returns. It's not that we don't like you as customers. No. You are the people paying our bills. We live on your tips to make ends meet. However, being nice to everyone all the time can get tiresome. You know the feeling. You have coworkers that you hate, but since you see them every day, you play nice so that the day passes without incident. Now, multiply that by 100 and you are a waiter. We not only have to play nice with our coworkers, but also the people who will eventually be paying us: You. That's where the con comes in. We have a lot of misbehaved customers and regulars who routinely make our lives at the Loup miserable. These people made up the majority of The Leftovers and are the people we constantly have to con, although most days you wish that they would find another place to haunt for a while. But no, we smile and chat and they would never know that they are the Problem Child to our John Ritter. So, I guess that doesn't make us con artists because we are still providing a service. I guess that makes us insincere. However, wouldn't you rather be lied to than have us be openly hostile to you? Wouldn't you like think, "I'm not the one who causing these people stress, it's that guy over there."? I guess that IS a con afterall: making you think and feel that you are a special flower, if only for the time it takes to have dinner. News flash: you ARE a special flower (but only during dinner at the Cafe Loup).